A CLOCKWORK ORANGE (USA, 1971, 137’) by Stanley Kubrick. Digital restauration supervised by Warner Bros.

CHRONIQUE D'UN ETE (Chronicle of a Summer) (France, 1960, 91’) by Jean Rouch and Edgar Morin, restored by Gian Luca Farinelli, Head of Cineteca di Bologna.

DESPAIR (Germany, 1978, 115’) by Rainer Werner Fassbinder, restored by Bavaria Media GmbH, Marcus Clarén and Christoph Meiser.

HUDUTLARIN KANUNU (The Law of the Border) (Turkey, 1966, 74’) by Lufti Akad, a digital restauration by The World Cinema Foundation at Cineteca di Bologna / L'Immagine Ritrovata Laboratory.

IL CONFORMISTA (The Conformist) (Italy, 1970, 118’) by Bernardo Bertolucci. Digital restauration by Gian Luca Farinelli.

LA MACCHINA AMMAZZACATTIVI (The Machine to Kill Bad People) (Italy, 1952, 80’) by Roberto Rossellini, restored by Gian Luca Farinelli.

L'ASSASSINO (The Assassin) (Italy, 1961, 98’) by Elio Petri, restored by Alberto Barbera de Museo Nazionale del Cinema di Torino and Gian Luca Farinelli de la Cineteca di Bologna.

LE SAUVAGE (The Savage) (France, 1975, 106’) by Jean-Paul Rappeneau, a digital restauration by StudioCanal, the French Cinematheque and the American cultural fund.

LE VOYAGE DANS LA LUNE (A Trip to the Moon) (France, 1902, 16’) by Georges Mélies. Original negative retored by Lobster Films, la Fondation Groupama Gan and la Fondation Technicolor.

LES ENFANTS DU PARADIS (The Children of Paradise) (France, 1945, 190’) by Marcel Carné, restored by Pathé.

NIEMANDSLAND (No Man's Land) (Germany, 1931, 81’) by Victor Trivas, restored by Eric Le Roy, Archives Françaises du Film (CNC).

RUE CASES-NEGRES (Sugar Cane Alley)  (France, 1983, 106’) by Euzhan Palcy. Restauration of the original négative by the Eclair Laboratory.