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Revenge

MEST

Ermek SHINARBAEV

Country : Kazakhstan

PSYCHOSE
Cannes Classics - Restored Prints

PSYCHO

Directed by : Alfred HITCHCOCK

Year of production : 1960 Country : UNITED STATES OF AMERICA Length : 109 minutes

Synopsis

Office worker Marion Crane is fed up with the way life has treated her. One Friday Marion is entrusted with $40,000 to take to the bank. Seeing the opportunity to keep the money and start a new life, Marion leaves town. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel Manager Norman Bates oddly seems to be dominated by his mother. A classic tale of horror and one of the most famous scenes in film history.



Credits

Alfred HITCHCOCK - Director

Joseph STEFANO - Script / Dialogue

John L. RUSSELL - Cinematography

George MILO - Set decorator

Bernard HERRMANN - Music

George TOMASINI - Film Editor

Casting

Janet LEIGH - Marion Crane

Vera MILES - Lila Crane

Anthony PERKINS - Norman Bates

photo du Film

Contacts

Production

SHAMELY PRODUCTIONS


Distribution

THEATRE DU TEMPLE - 4 rue Lanneau 75005 Paris - T: +33 (0)1 43 26 70 40
JEAN-MARIE RODON - theatredutemple@noos.fr


School

NON RENSEIGNÉ - 9 rue du midi 92200 Neuilly sur Seine FRANCE - T: 33 (0)1 47 38 14 02 - F: 33 (0)1 46 37 43 91


French press

NA - 9A Jalan Besar. Singapore 208786 SINGAPORE - T: 65-97519207


International press

PREMIER PR - 91 Berwick Street W1F 0NE Londres UNITED KINGDOM - T: +44 207 292 8342 - F: +44 207 734 2024 - Ginger@premierpr.com - www.premierpr.com
ISABELLE KNIGHT - isabelle.knight@premierpr.com


International sales

HOLLYWOOD CLASSICS - Linton House 39/51 Highgate Roas London NW5 1RS UNITED KINGDOM NWS 1RS London UNITED KINGDOM - T: +44 207 424 7280 - F: +44 207 428 8936 - www.hollywoodclassics.com
MELANIE TEBB - melanie@hollywoodclassics.com


Cannes Classics Released on Alfred HITCHCOCK

PSYCHO

Office worker Marion Crane is fed up with the way life has treated her. One Friday Marion is entrusted with $40,000 to take to the bank. Seeing the op...
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