For most of his career, the films of Theodoros “Theo” Angelopoulos were as difficult to see in the English-speaking world as the grey, fog-shrouded landscapes upon which he so frequently turned his camera, victims of poor commercial distribution and perhaps a certain cultural resistance to any Greek cinema that doesn’t include Melina Mercouri taking a dip in the Aegean or Anthony Quinn step-dancing to the strains of Mikis Theodorakis. (...)

Read more on: www.filmlinc.com