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by - Robbie Collin - 23 May 2015

Macbeth, Cannes review: 'Fassbender was born for this'
Justin Kurzel’s blistering, blood-sticky new screen version of Macbeth unseams the famous Shakespearean tragedy open from the nave to the chops, letting its insides spill out across the rock underfoot. Kurzel’s chilling debut feature, the 2011 true-crime thriller Snowtown, suggested the...

by - Oliver Lyttelton - 22 May 2015

Cannes Review: ‘The Little Prince’ Is A Visually Glorious And Extremely Moving Adaptation Of The Children's Classic
Since its 1943 publication, the novella “The Little Prince” by Antoine de Saint-Exupery has become a children’s classic the world over. The tale of a downed aviator who meets a small monarch who lives on an asteroid and fell in love with a rose is universally beloved, but the...

by - Peter Bradshaw - 22 May 2015

Chronic review: terminal pain, but Tim Roth is a pleasure
Michel Franco’s drama, starring Tim Roth as a nurse who invests too much in his clients’ end-of-life care, supplies a carefully measured dose of enigmatic class.Michel Franco is the Mexican director who made the savagely confrontational high-school bullying drama After Lucia; now, he comes...

by - Allan Hunter - 22 May 2015

'Valley Of Love': Review
It is thirty-five years since Gerard Depardieu and Isabelle Huppert last appeared on screen together in Maurice Pialat’s Loulou. Their fond reunion is one of the great attractions of Guillaume Nicloux’s Valley Of Love. They have the tender complicity of war veterans bound together by...

by - Karin Badt - 21 May 2015

Apichatpong Werasethakul's 'Cemetery of Splendour': A Dream Film at Cannes
To watch an Apichatpong Werasethakul film is to be lulled into a dream. His latest film, Cemetery of Splendour, which premiered at Cannes this week, immerses you in a surreal, and yet real, world on the line of wakefulness and sleep: literally a hospital (once a schoolhouse), in the Thai town...