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by - Robbie Collin - 18 May 2013

Cannes 2013: Like Father, Like Son, review
Hirokazu Kore-eda's playful family drama, the best Cannes film so far, has Robbie Collin squeaking with joy. One of the great themes of Japanese cinema, and perhaps the greatest, is family: particularly our place within it, and its within us. More than 80 years have passed since Yasujiro Ozu...

by - Rhonda Richford - 25 May 2013

Cannes: 'The Missing Picture' Wins Un Certain Regard Prize
"Fruitvale Station" wins Best First Film while the Jury Prize was awarded to Hany Abu-Assad for "Omar." The Un Certain Regard sidebar announced its winners on the second to last day of the festival, with the jury awarding the top prize to Rithy Panh for The Missing Picture,...

by - Nigel M Smith - 25 May 2013

'Venus in Fur' Director Roman Polanski at Cannes: 'I've lived long enough to know I can direct'
Capping off this year's Cannes competition, Roman Polanski's "Venus In Fur" brought sex, laughs, applause and a handful of enthusiastic bravos to the final weekend of the festival. Polanski's follow-up to his film adaptation of the award-winning play "Carnage" is another...

by - Rhonda Richford - 24 May 2013

Cannes: Cinefondation Awards First Place to 'Needle'
Iranian director's short film wins the student film competition section. Iranian Anahita Ghazvinizadeh’s Needle was awarded the Cinefondation’s first place prize for best student film at the Cannes Film Festival, jury president Jane Campion announced Friday.  Ghazvinizadeh,...

by - Robbie Collin - 24 May 2013

 Cannes 2013: Only Lovers Left Alive, review
Tilda Swinton and Tom Hiddleston make a sexy, pallid double act in Jim Jarmusch's languorous new vampire comedy, writes Robbie Collin. Only Lovers Left Alive, the languorous new comedy from Jim Jarmusch, centres on two vampires in reflective mood. They are Adam and Eve – perhaps the Adam...